Solo Artworks
Video and multimedia artworks can be found here.
my roots are showing (colonial roots), 2022
Stephanie Florence. Taraxacum officinale and Syringa vulgaris weaved into a wearable sculpture and worn throughout downtown Oslo, Norway, 6” by 6” by 6”. Photo-credit to Stephanie Florence.
Stephanie Florence. Taraxacum officinale and Syringa vulgaris weaved into a wearable sculpture and worn throughout downtown Oslo, Norway, 6” by 6” by 6”. Photo-credit to Stephanie Florence.
Studio Maquette, 2022
Stephanie Florence. Plywood, lumber, Wacky Wood, and rubber sealant. 5’ by 5’ by 1.5’. Photo-credit to Stephanie Florence. (Artwork in Progress)
Stephanie Florence. Plywood, lumber, Wacky Wood, and rubber sealant. 5’ by 5’ by 1.5’. Photo-credit to Stephanie Florence. (Artwork in Progress)
Extracting Dis-place & Imprinting, 2021
Stephanie Florence. Performance underneath Acer saccharum (Maple Tree), steel, and sawdust. Photo-credit to Stephanie Florence.
Stephanie Florence. Performance underneath Acer saccharum (Maple Tree), steel, and sawdust. Photo-credit to Stephanie Florence.
This is not a drill, 2021
Stephanie Florence. Performance in a skin suit with a chair. Photo-credit to Stephanie Florence.
Stephanie Florence. Performance in a skin suit with a chair. Photo-credit to Stephanie Florence.
Unspoken, 2021
Stephanie Florence. Site-specific narrative with skeletal tree that was set a flame. Photo-credit to Stephanie Florence.
Stephanie Florence. Site-specific narrative with skeletal tree that was set a flame. Photo-credit to Stephanie Florence.
The Human Wheel, 2021
Stephanie Florence. Plywood, lumbar, steel, bolts, and rubber wheels, 8’ by 8’ by 3’. Technicians: Alicia Proudfoot and Eric Almberg. Photo-credit to Steven Teeuwsen and Stephanie Florence.
Stephanie Florence. Plywood, lumbar, steel, bolts, and rubber wheels, 8’ by 8’ by 3’. Technicians: Alicia Proudfoot and Eric Almberg. Photo-credit to Steven Teeuwsen and Stephanie Florence.
Intrinsically Linked, 2021
Stephanie Florence. Acrylic paint, flower petal, collaged flyer meat, 4' by 3'. Photo-credit to Stephanie Florence.
Stephanie Florence. Acrylic paint, flower petal, collaged flyer meat, 4' by 3'. Photo-credit to Stephanie Florence.
Zoonotic Meat-cute, 2021
Stephanie Florence. Sample of disease series: collaged flyer meat, acrylic paint. Photo-credit to Stephanie Florence.
Stephanie Florence. Sample of disease series: collaged flyer meat, acrylic paint. Photo-credit to Stephanie Florence.
The Womb Consumer, 2021
Stephanie Florence. Oil painting, 30” by 40”. Photo-credit to Stephanie Florence.
Stephanie Florence. Oil painting, 30” by 40”. Photo-credit to Stephanie Florence.
The Consumer, 2019
Stephanie Florence. Oil painting on canvas, 4' by 4'. Photo-credit to Stephanie Florence.
Stephanie Florence. Oil painting on canvas, 4' by 4'. Photo-credit to Stephanie Florence.
Disposable, 2019
Stephanie Florence. Meat from flyers collaged onto mannequin, 4’ by 1.5’ by 1’, 59 seconds. Video-credit to Stephanie Florence. https://vimeo.com/499315366
Stephanie Florence. Meat from flyers collaged onto mannequin, 4’ by 1.5’ by 1’, 59 seconds. Video-credit to Stephanie Florence. https://vimeo.com/499315366
Conscious Horrors, 2019
Stephanie Florence. Steel forged hook, duvet, blanket, bed sheets, and fake blood, 10’ by 10’ by 10’. Photo-credit to Leah Koutroumanos, and Stephanie Florence.
Stephanie Florence. Steel forged hook, duvet, blanket, bed sheets, and fake blood, 10’ by 10’ by 10’. Photo-credit to Leah Koutroumanos, and Stephanie Florence.
The Knife, 2019
Stephanie Florence. Audio-narrative story played during performance, thirty steel forged hooks, and black ink, 10’ by 10’ by 10’. Photo-credit to Leah Koutroumanos, and Stephanie Florence.
Stephanie Florence. Audio-narrative story played during performance, thirty steel forged hooks, and black ink, 10’ by 10’ by 10’. Photo-credit to Leah Koutroumanos, and Stephanie Florence.
My Breathless Duvet, 2019
Stephanie Florence. Audio narrative and goose feathers from my duvet, 5’ by 5’ by 5’. Photo-credit to Courtney Faulkner, and Stephanie Florence.
Stephanie Florence. Audio narrative and goose feathers from my duvet, 5’ by 5’ by 5’. Photo-credit to Courtney Faulkner, and Stephanie Florence.
Red 40 Red 3, 2018
Stephanie Florence. 333 glasses of carcinogenic red baking dye in water. Photo-credit to Stephanie Florence.
Stephanie Florence. 333 glasses of carcinogenic red baking dye in water. Photo-credit to Stephanie Florence.
Cold Bodies, 2019
Stephanie Florence. Oil paint on canvas. Photo-credit to Stephanie Florence.
Stephanie Florence. Oil paint on canvas. Photo-credit to Stephanie Florence.
The Simulacra, 2018
Stephanie Florence. Oil painting on canvas and collage on paper, 18” by 26” each. Photo-credit to Stephanie Florence.
Stephanie Florence. Oil painting on canvas and collage on paper, 18” by 26” each. Photo-credit to Stephanie Florence.
Mapping Pesticides in Water, 2018
Stephanie Florence. Baltic Birch plywood, dowels, and wood glue, 4’ by 4’ by 4”. Photo-credit to Stephanie Florence.
Stephanie Florence. Baltic Birch plywood, dowels, and wood glue, 4’ by 4’ by 4”. Photo-credit to Stephanie Florence.
Replaceable Parts (Self Portrait), 2017
Stephanie Florence. Layered plywood, steel, and rust, 3’ by 1’ by 1’. Photo-credit to Stephanie Florence.
Stephanie Florence. Layered plywood, steel, and rust, 3’ by 1’ by 1’. Photo-credit to Stephanie Florence.
W e b s i t e D e s i g n e d b y A u 7 u m n
